Nikon
has
announced
a
new
version
of
its
entry-level
Z50
mirrorless
camera.
The
Z50II
offers
improved
shooting
capabilities
thanks
to
a
new
image
processing
engine,
and
a
selection
of
31
“film-inspired
looks”
quickly
accessible
through
a
dedicated
button.
It
will
be
available
starting
in
late
November
for
$909.95
for
the
camera
body
alone,
but
can
also
be
bundled
with
lenses.
Adding
a
16-50mm
f/3.5-5.6
VR
lens
will
boost
the
price
to
$1049.95,
while
a
bundle
with
both
a
16-50mm
and
a
50-250mm
f/4.5-6.3
VR
lens
will
be
$1,299.95.
That
dedicated
Picture
Control
button
—
the
first
on
any
Nikon
camera
—
is
the
Z50II’s
most
exciting
upgrade.
Pressing
it
enables
a
real-time
preview
of
“up
to
31
built-in
color
presets”
so
you
can
see
how
each
style
affects
the
“color,
tone,
and
feeling
of
the
scene”
before
you
press
the
shutter.
The
button
is
similar
to
the
film
simulation
dial
on
top
of
the
Fujifilm
X-T50,
and
the
Z50II’s
styles
can
be
expanded
by
downloading
“Imaging
Recipes”
to
the
camera
through
Nikon’s
cloud
services
that
have
been
developed
by
“notable
creators,”
says
the
company.
The
Z50II’s
3.2-inch
vari-angle
screen
can
be
flipped
to
face
forward
for
shooting
selfies.Image:
Nikon
The
Nikon
Z50II
features
the
same
20.9-megapixel
CMOS
crop-sensor
as
the
original
Z50,
but
with
improved
shooting
capabilities
as
it’s
the
first
APS-C
camera
from
the
company
to
use
the
Expeed
7
image
processor
found
in
the
$4,000
Nikon
Z8
and
the
$5,500
Z9.
That
allows
the
Z50II
to
shoot
at
up
to
30
fps
using
its
electronic
shutter,
or
up
to
11
fps
with
its
mechanical
one.
The
upgraded
processor
also
boosts
the
Z50II’s
autofocus
capabilities
with
the
ability
to
detect
and
track
nine
different
subjects
including
people,
animals
like
dogs
and
cats,
cars,
trains,
and
even
planes.
The
Z50II
carries
over
the
pop-up
flash
from
the
original
Z50.Image:
Nikon
Improved
video
capabilities
boost
4K
video
captures
to
60
fps,
up
from
4K
at
30
fps
with
the
original
Z50,
and
add
the
ability
to
record
in
the
N-Log
format
at
10-bit
offering
more
flexibility
when
color
grading
footage
in
post-production.
The
Z50II
also
adds
a
waveform
monitor,
a
“Product
Review
Mode”
that
will
prioritize
the
focus
on
subjects
placed
in
the
foreground,
and
a
continuous
record
time
of
125
minutes.
Other
upgrades
include
an
electronic
viewfinder
that’s
nearly
twice
as
bright
as
the
one
in
the
Z50,
pre-release
capture
that
can
record
up
to
30
JPEG
images
before
the
camera’s
shutter
button
is
fully
pressed,
a
tally
light
indicating
when
video
is
being
captured,
and
the
addition
of
a
3.5mm
headphone
jack.
The
camera
still
relies
on
digital
stabilization
over
in-body
stabilization,
but
that
has
helped
keep
its
starting
price
under
$1,000.
Original author: Andrew Liszewski
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